Ruth Law

Artist's Studio 37 Georgina St. Newtown (Sydney) NSW 2042 Australia
Tel - 02 9557 5572 Fax - 02 9516 5816 Mob - 0405 665 496
artist@ruthlaw.net

       
 
Biography

Ruth Law is an Australian-born artist working and living in Sydney. Ruth's work (primarily painting with ink and gouache on rice paper) invokes the euphony of the delicate path between the old traditional techniques of Chinese brush painting and the colour and light of Australian flora, bringing a rhythm of joy that to her work.

Linda Chang was the Chinese Artist under whom Ruth studied, learning the technique of Chinese watercolour painting in 1979 whilst living in San Francisco. It was during this period and when in Hong Kong, that Ruth learnt the technique of Chinese brushstrokes with the methodical repetition of practicing an Eastern skill. Virtuosity, the nuances of the brush with its calligraphic grammar and syntax evolved over thousands of years and requiring a dedication of continuing practice. She discovered the joy in painting on different qualities of paper, as well as on silk scrolls and rice paper fans.

On her return to Australia in 1986 after 10 years living overseas, Ruth realised how the Chinese style of brushstrokes lends itself so beautifully to painting the Australian flora. The rhythmic quality of Ruth’s brushstrokes comes from her ability to let the brush do the work. She meditates before painting and becomes absorbed in the image. The serenity of her technique leads to the serene images it produces.
The six essential characteristics of art were described by the Chinese, Hsieh Ho in the 5th Century:
"First, creating a lifelike tone and atmosphere; second, building structure through brush work; third depicting the form of things as they are; fourth, appropriate colouring; fifth composition; and sixth, transcribing and copying."
This description of the Chinese method shows how the influence of Ruth's training is expressed in her work. She is forever learning and experimenting with technique and form and has a capacity to develop and build her knowledge and extend her form of expression.

The paintings are not meant to be an exact botanical rendition but an artistic interpretation, giving the flower a strong and dynamic persona. However it is the pleasure and harmony that the viewer feels which is of most importance.

 

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